– Commissioned as part of the Digital Phasing project by Louise Devenish, Jet Kye Chong’s Still Drumming 2020 exploits latency and geographical distance, offering a pandemic perspective on Reich’s signature techniques.
– A presentation of rhythmic voice leading as a pedagogical application of beat-class analysis to identify transformations of rhythmic motives in Steve Reich’s Mallet Quartet.
– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
– An examination of the challenges and rewards of playing the percussion music of Steve Reich using the themes of “Texture, Space, and Survival” as taken from a 1987 Reich essay of the same name.
– Steve Reich was inducted into the Percussive Arts Society Hall of Fame in 2007 joining some of the members of his ensemble and other esteemed composers of music for percussion. Lauren Vogel Weiss outlines Reich’s career in an article for Percussive Notes, the journal of the Percussive Arts Society.
Gary Schall and Russell Hartenberger reflect on the life and legacy of James Preiss.
describe their study to find out what really happens during a phase in Drumming. Members of Nexus demonstrate phasing and discuss their thoughts on the process.
– A look at the origins of Piano Phase played on two marimbas, the end of phasing as a compositional tool, some of the techniques required to play Marimba Phase, and Garry Kvistad’s adaptation of the piece for just intonation-tuned instruments.
Drumming was recorded by Nexus, Sō Percussion, and friends in Richardson Auditorium at Princeton University on April 19/20, 2018.
In Drumming in Magic Time: The Oral Tradition, Russell Hartenberger teaches Drumming by rote to members of The National Youth Orchestra of Canada. The process was recorded on June 17-23, 2018 at Wilfrid Laurier University in Waterloo, Ontario, Canada.
