– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
– An examination of the challenges and rewards of playing the percussion music of Steve Reich using the themes of “Texture, Space, and Survival” as taken from a 1987 Reich essay of the same name.
– Commissioned as part of the Digital Phasing project by Louise Devenish, Jet Kye Chong’s Still Drumming 2020 exploits latency and geographical distance, offering a pandemic perspective on Reich’s signature techniques.
– A presentation of rhythmic voice leading as a pedagogical application of beat-class analysis to identify transformations of rhythmic motives in Steve Reich’s Mallet Quartet.
– A look at the origins of Piano Phase played on two marimbas, the end of phasing as a compositional tool, some of the techniques required to play Marimba Phase, and Garry Kvistad’s adaptation of the piece for just intonation-tuned instruments.
– Steve Reich was inducted into the Percussive Arts Society Hall of Fame in 2007 joining some of the members of his ensemble and other esteemed composers of music for percussion. Lauren Vogel Weiss outlines Reich’s career in an article for Percussive Notes, the journal of the Percussive Arts Society.
– An overview of Russell Hartenberger’s book that provides a performer’s perspective on Steve Reich’s compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. The book addresses performance issues encountered by musicians in Reich’s original ensemble and the techniques they developed to bring his compositions to life.
– In 2020, Steve Reich revised the “Notes by the Composer” for the Boosey & Hawkes score to Drumming, which was first published in 2011.
