– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
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– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
– An examination of the challenges and rewards of playing the percussion music of Steve Reich using the themes of “Texture, Space, and Survival” as taken from a 1987 Reich essay of the same name.
– A presentation of rhythmic voice leading as a pedagogical application of beat-class analysis to identify transformations of rhythmic motives in Steve Reich’s Mallet Quartet.
– Commissioned as part of the Digital Phasing project by Louise Devenish, Jet Kye Chong’s Still Drumming 2020 exploits latency and geographical distance, offering a pandemic perspective on Reich’s signature techniques.
– An overview of Russell Hartenberger’s book that provides a performer’s perspective on Steve Reich’s compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. The book addresses performance issues encountered by musicians in Reich’s original ensemble and the techniques they developed to bring his compositions to life.
Gary Schall and Russell Hartenberger reflect on the life and legacy of James Preiss.
– The composer of Drumming discusses musical intuition, time feel, speech rhythms, electronics, the music of India, and how he uses rhythm in his compositions. He describes his early percussion training and his experience with the music of West Africa and Bali.
– Reflections on aspects of Steve Reich’s music, including influences, ergonomics, inherent rhythms, timbre, and timelines.
Drumming was recorded by Nexus, Sō Percussion, and friends in Richardson Auditorium at Princeton University on April 19/20, 2018.
In Drumming in Magic Time: The Oral Tradition, Russell Hartenberger teaches Drumming by rote to members of The National Youth Orchestra of Canada. The process was recorded on June 17-23, 2018 at Wilfrid Laurier University in Waterloo, Ontario, Canada.