– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
– This project uses an algorithmic approach to explore the concept of resultant patterns as used by Steve Reich in Drumming. It seeks to analyze what it means for a resultant pattern to be interesting and to encode these intuitive musical characteristics into a computer algorithm.
– A presentation of rhythmic voice leading as a pedagogical application of beat-class analysis to identify transformations of rhythmic motives in Steve Reich’s Mallet Quartet.
– Commissioned as part of the Digital Phasing project by Louise Devenish, Jet Kye Chong’s Still Drumming 2020 exploits latency and geographical distance, offering a pandemic perspective on Reich’s signature techniques.
– Steve Reich was inducted into the Percussive Arts Society Hall of Fame in 2007 joining some of the members of his ensemble and other esteemed composers of music for percussion. Lauren Vogel Weiss outlines Reich’s career in an article for Percussive Notes, the journal of the Percussive Arts Society.
– In 2020, Steve Reich revised the “Notes by the Composer” for the Boosey & Hawkes score to Drumming, which was first published in 2011.
– Reflections on aspects of Steve Reich’s music, including influences, ergonomics, inherent rhythms, timbre, and timelines.
Gary Schall and Russell Hartenberger reflect on the life and legacy of James Preiss.
